Pick Temple, one-time local TV star, died last year and
I was immediately overcome by memory.
At age 14 when I
moved to Fairfax Village
on the southeast edge of Washington,
I took little notice of the neighbors. I
was too busy feeling sorry for myself and getting the hang of the neighborhood,
the bus and streetcar system, the high school and algebra.
On one side of us
lived the Davises
and on the other the Haydens. Neither
couple had children so they weren't particularly interesting to me. Then the Davises left some months after we arrived and the Temples moved in. There were Lafayette Parker (call me
"Temp"), Jeanette and their four-year-old daughter, Faye. They had a
red piano, a spinet really but red.
Temp was originally
from Baltimore and Jeanette was from Washington. He worked in the census bureau just up the
road in Suitland. They were pleasant young people and now it
was my mother's turn to show them the ropes, bus routes, how to order either of
the morning papers, the Post or the Times-Herald, where the
grocery store was and how to use the community washers and dryers in the
basement of the very large apartment building.
I got to know them
gradually. My father, whose name was
Parker, struck up an acquaintance amused by the coincidence of two Parkers
living side by side. He and Temp had
occasional cribbage games together.
Jeanette kept a very up to date, attractive, perfectly-kept house and
played the Minute Waltz on the red piano.
Since the piano was on our common wall, I soon memorized it. As I got to know them, I occasionally got to
go over and pick out tunes on it.
Temp played guitar
and a small ukulele and sometimes would sit in the back yard and play and
sing. I liked to sing along and learned
some folk songs and a funny advertising ditty from Baltimore's Horschel Cohn department store.
I started
baby-sitting in the neighborhood at the going rate of twenty cents an hour and
sat for the Temples
among others. Faye sat on the stairs
once and refused to mind me or to go to bed.
I was getting a taste of my own medicine as I remembered doing the very
same thing.
I could also
indulge in smoking illegal cigarettes (mostly cadged from the houses I sat
in.) Since Temp smoked, there was a good
chance that there would be a few left around.
The Temples along with other neighbors became part of the
daily life of my three and a half years in Washington.
They learned the ilf-talk we teenagers used (my name for ins was
Silfally Deful.) They watched the
comings and goings of me and my friends.
Jeanette combed my
hair carefully into a bun and supervised makeup one Saturday when a friend and
I decided to get really dressed up
and go to the movies downtown. We saw The
Informer at the Little and unfortunately my makeup got smeared from
crying. So much for sophistication!
Temp introduced me
to his record collection and I particularly enjoyed the Victor Borge and Danny
Kaye albums. I bought my first classical record, Schubert's "Unfinished
Symphony," after listening to his copy.
He had a rare Lawrence Tibbett's takeout record when, after flubbing a
note, he said goodnight.
After my graduation
when my mother and I were preparing to go to Caracas,
Venezuela to join my father,
the Temples
gave a farewell party for us and all the neighbors came.
A year or two
later, the Temples
had another child, a little boy. We lost
touch as I went on to Hood College and my mother settled in Pennsylvania. I heard that Temp was recording his favorite
railroad songs for the Library of Congress and was occasionally appearing on
one of the smaller radio stations singing some of them. Every once in awhile, I could tune it in on
my dorm radio and say: "I knew him."
After graduation I
moved back to Mount Pleasant
and shared a house with friends. I
became engaged to Cliff who I had met in Venezuela
and one night my parents took us to the Temples
at their new house in northwest Washington.
Some of the old
neighbors were there and daughter Faye, now a grown up teenager, accompanied
her father on guitar. We all sang songs
and again I got to harmonize on some of the old favorites, “Wreck of the Old 99”
and “On Top of Old Smoky” among them.
When I was married
at my parents' home in Arlington, Temp had by
then turned into Pick
Temple TV
star. He had a dog, Lady, who appeared
with him as he entertained local children who got to appear on the Saturday
show. He appeared at my wedding
reception in full cowboy regalia on his way to the studio. I almost didn't leave the reception because
we sang a song or two together for old time's sake. That threatened to go on forever.
When our first son
was five, we sent in his name to appear on the Pick Temple
show. Cliff, standing by the door
nervously folding and unfolding a piece of paper, reminded me to was time to
go. Steve, in a borrowed cowboy hat sat
quietly as I drove down Connecticut
Avenue to the studio carefully explaining how I
knew Pick Temple from a long time ago.
After the program,
from which mothers were carefully quarantined, we got to march past the great
man, shake hands and receive a bag of goodies from Giant Food, the sponsor.
I said: "Hi,
Pick, remember me?"
"Oh, sure,
hi!" he said brightly and moved on to the next person in line.
I was utterly
chagrined, Steve and I and the borrowed cowboy hat drove home in silence. My mother later asked if he'd had his glasses
on and, when told no, said: "Well, he's blind as a bat without
them." It helped a little.
Thirty years later
after he had moved the show to Philadelphia and
then retired and moved on to Arizona, I met
someone who had graduated from Anacostia
High School ten years
after I had. He was reminiscing about
Faye Temple and how he'd lost track of her.
I spoke up and said I could probably get her address. I did find out her parents whereabouts and
wrote a long note re-identifying myself and asking Faye's whereabouts.
A week or so later
I got a wonderful reply full of complimentary memories of me and my high school
days, amused that I'd remembered the Horschel Kohn ditty and saying yes, my
mother was right. No self respecting
cowboy wore glasses and he apologized after the fact for not seeing me at the
broadcast.
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